BAYEUX, France (Reuters) – The French city of Bayeux has been house for practically a millennium to a tapestry depicting a bloody battle for energy.
Now it has one other.
An exhibition that includes a tapestry illustrating the occasions of hit HBO TV present “Game of Thrones” opened in Bayeux, Normandy, on Friday – simply down the street from the museum the place its eleventh century inspiration is housed.
The tapestry was created in Northern Ireland, one of the principal filming places for the collection. Around 30 stitchers labored for some 1,500 hours on the stretch of linen, which begins with King Robert Baratheon visiting the Starks in Winterfell.
Some 87 meters (95 yards) later, it ends in fireplace and blood with the ultimate, controversial, scenes of the eighth season.
Depicting all that gore utilizing jacquard threadwork was not straightforward, mentioned venture chief embroiderer Valerie Wilson.
It would have been a problem that additionally confronted the medieval embroiderers, who created the well-known 70-meter Bayeux tapestry to recount the invasion of England by William the Conquerer. The work brings to life scenes such because the 1066 Battle of Hastings, the place Harold of Wessex is proven dying with an arrow to the attention.
“The ‘Game of Thrones’ tapestry references the Bayeux tapestry stylistically and in terms of some of the motifs that have been used and the way that the story unrolls in a linear fashion,” mentioned Wilson.
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The two tapestries additionally handle a typical theme, mentioned Antoine Verney, chief curator of the Bayeux Tapestry Museum. “It’s whether we can justify violence to claim power,” he mentioned.
The present was based mostly on the “Song of Ice and Fire” books by George R.R. Martin.
The “Game of Thrones” exhibition in Bayeux runs from Sept. 13 to Dec. 31 on the Hotel du Doyen, on the location the place the Bayeux Tapestry itself was initially displayed earlier than its eventual transfer to the devoted museum close by.
Reporting by Michaela Cabrera and Clotaire Achi; Writing by Rosalba O’Brien and Laurence Frost; Editing by Daniel Wallis